Sydney • August 24, 2026 • 04:49

August 24, 2026

We craft world-class audio and music soundtracks in a space built for collaboration, artistry and community.

AAMI
When our athletes are in the making
Aime Leon Dore
Franck Pellegrino
Amarok
Tough feels better in an Amarok
Audi Q5
Fluent in Both
Carnival Cruises
Play Away
Chubb
Australian Open 2026
Francisco Lindor New Balance
Action Bronson
Hyundai Tucson
Tomorrow wants its car back
KFC
Boxful range
Lilydale
Tractor Pursuit
McDonald's
Menu Heist
Milwaukee
Forever for the Trade
Normal Beer
Stay Normal
Park Hyatt
Park Hyatt-Maldives
Pizza Hut
Hot Honey Is Back
RYOBI
Come Equipped
Suncorp Insurance
A Tale of Two Queenslands
Suntory BOSS Coffee
RealCoffee
TUFT
Community and Services
UN75
Shaping our future together
Woolworths
No Bribes Needed
Youth To The People
Super Foods Cleanser
Mountain Dew
Typhoon
ING
Savings Booster

AAMI
When our athletes are in the making
Aime Leon Dore
Franck Pellegrino
Amarok
Tough feels better in an Amarok
Audi Q5
Fluent in Both
Carnival Cruises
Play Away
Chubb
Australian Open 2026
Francisco Lindor New Balance
Action Bronson
Hyundai Tucson
Tomorrow wants its car back
KFC
Boxful range
Lilydale
Tractor Pursuit
McDonald's
Menu Heist
Milwaukee
Forever for the Trade
Normal Beer
Stay Normal
Park Hyatt
Park Hyatt-Maldives
Pizza Hut
Hot Honey Is Back
RYOBI
Come Equipped
Suncorp Insurance
A Tale of Two Queenslands
Suntory BOSS Coffee
RealCoffee
TUFT
Community and Services
UN75
Shaping our future together
Woolworths
No Bribes Needed
Youth To The People
Super Foods Cleanser
Mountain Dew
Typhoon
ING
Savings Booster

AAMI
When our athletes are in the making
Aime Leon Dore
Franck Pellegrino
Amarok
Tough feels better in an Amarok
Audi Q5
Fluent in Both
Carnival Cruises
Play Away
Chubb
Australian Open 2026
Francisco Lindor New Balance
Action Bronson
Hyundai Tucson
Tomorrow wants its car back
KFC
Boxful range
Lilydale
Tractor Pursuit
McDonald's
Menu Heist
Milwaukee
Forever for the Trade
Normal Beer
Stay Normal
Park Hyatt
Park Hyatt-Maldives
Pizza Hut
Hot Honey Is Back
RYOBI
Come Equipped
Suncorp Insurance
A Tale of Two Queenslands
Suntory BOSS Coffee
RealCoffee
TUFT
Community and Services
UN75
Shaping our future together
Woolworths
No Bribes Needed
Youth To The People
Super Foods Cleanser
Mountain Dew
Typhoon
ING
Savings Booster

What we do

We bring stories to life through sound. Our services span VO recording and casting, ADR, Sfx tracklay, sound design, foley, 5.1 cinema mix, Atmos Immersive Mixing, and Broadcast mixing for all platforms, delivering with precision and craft at every stage, for any deliverable.
Audio Post Production
Music is the heartbeat of every story. We offer original music composition, re-records, music licensing, and access to the Studio Tonic Composed Library, alongside library music searches and licensing, giving every project the right sound, whether bespoke or curated.
Music Production
Sonic branding gives a brand a sound as recognisable as its visual identity. But the best sonic work doesn't start with the craft; it starts with understanding the brand, its strategy, and the role sound should play. Our specialist sister agency Saliō leads with that thinking, then designs complete sonic ecosystems, from sonic logos and brand themes to UI/UX sound and brand voice casting, with the stewardship to keep every touchpoint consistent.
Sonic Branding
For series and feature-length projects, we provide end-to-end audio post & music: sound& music supervision, dialogue editing, ADR, sound design and Foley, cue sheets, music composition, and final mix and delivery, a complete sonic partner from edit to broadcast.
Film and Tv

We bring stories to life through sound. Our services span VO recording and casting, ADR, Sfx tracklay, sound design, foley, 5.1 cinema mix, Atmos Immersive Mixing, and Broadcast mixing for all platforms, delivering with precision and craft at every stage, for any deliverable.
Audio Post Production
Music is the heartbeat of every story. We offer original music composition, re-records, music licensing, and access to the Studio Tonic Composed Library, alongside library music searches and licensing, giving every project the right sound, whether bespoke or curated.
Music Production
Sonic branding gives a brand a sound as recognisable as its visual identity. But the best sonic work doesn't start with the craft; it starts with understanding the brand, its strategy, and the role sound should play. Our specialist sister agency Saliō leads with that thinking, then designs complete sonic ecosystems, from sonic logos and brand themes to UI/UX sound and brand voice casting, with the stewardship to keep every touchpoint consistent.
Sonic Branding
For series and feature-length projects, we provide end-to-end audio post & music: sound& music supervision, dialogue editing, ADR, sound design and Foley, cue sheets, music composition, and final mix and delivery, a complete sonic partner from edit to broadcast.
Film and Tv

People are at the heart of why we do what we do.

Music writers, composers, audio designers and producers championed and empowered — bringing them together with industry creatives to explore, experiment, and bring ideas to life. Creativity is our common language — a place that connects people. Where every project becomes a shared journey of artistic expression.

When Simon isn’t travelling the beaten track across the Himalayas or Death Valley on a motorcycle, Simon’s normal life is an award-winning sound designer, a filmmaker, and visual and sonic storyteller based in Sydney, Australia. His acclaimed work includes sound design and mix for high-impact projects such as the United Nations’ UN75 film, UNICEF’s global brand films and photography library, as well as commercial work for leading brands including Hyundai, Australian Airforce, AAMI, Toyota, Air NZ and SONY.
Read More
Simon Lister
Abby is a sound designer and re-recording mixer with over two decades of shaping stories that aren’t just seen—they’re felt. She first made her mark on the Academy Award-winning sound team for King Kong (2005), and has since worked across projects like Wakefield (Showtime), Austin (ABC/BBC), and Girls Can’t Surf (Tribeca), always focused on capturing the emotional core of the narrative.
After leading as Head of Sound at MassiveMusic across Sydney and Singapore, Abby has become a respected global voice—serving as Jury President for D&AD and contributing to panels for the Clio Awards, London International, and AWARD.
At her core, she’s a sound-first storyteller—thriving in fast-moving, ambiguous briefs and bringing clarity, calm, and craft to every production.
Read More
Abigail Sie
Ramesh is a composer and sonic branding strategist who has spent over two decades making brands sound like themselves — whether that's a two-second audio logo or a full sonic architecture. But before the brands, there were the bands. He started out as an engineer at Rocking Horse Studios in Byron Bay, working with acts like Cruel Sea and Spiderbait, produced Grinspoon's debut EP and Album ‘Alibies and Other Lies’
That musical foundation carried through into his roles as partner at Song Zu and ECD at MassiveMusic, where he helped shaped the sonic identities of Qantas, Etihad Airways, CommBank, Woolworths, Jetstar, Canva, Big W, Optus, the Australian Open, and ADF Careers.
As co-founder of Saliō Sonic Strategy and partner at Studio Tonic, he's now building the kind of creative music house he always wanted to work in — where strategic thinking and musical instinct sit under one roof.
When he's not composing, he's out riding his road and gravel bikes,and spending time with his beautiful young daughter and wife.
Read More
Ramesh Sathiah
With 17 years in the industry, Emma has pretty much done it all… a decade as Head of Production, a Talent Agent wrangling voice artists and on-camera divas (both the delightful and the dramatic), a TV Agency & Film Producer, and now boldly stepping into her next chapter as Chief Executive Producer. Essentially, she’s the Energiser Bunny of production: she doesn’t stop, she doesn’t slow down, and she definitely doesn’t come with an off switch. Em has made a career out of herding industry chaos, shaping wild ideas into shiny, award-winning realities across film, TV, sound, and music.
Read More
Emma Duncan
Jackson is our Sound Designer and Composer - a musically minded tinkerer with an ear for detail and a soft spot for any piece of gear that lights up, hums, or makes a weird noise. He’s worked across a wildly diverse slate of projects, from New Balance and Major League Baseball campaigns, to audio installations shown in the Louvre in Paris. He’s also done ground-level work on albums that have collectively racked up billions of streams. With a “no job too big, no job too small” attitude, Jackson thrives anywhere sound needs shaping.
Read More
Jackson Lister
Cam is our Creative Director and lead Sound Designer. An award-winning sound designer, musician, and writer, Cam has collaborated with leading global brands and agencies, shaping cinematic, emotionally resonant sound across a wide range of media throughout his expansive career.
A dedicated writer, he recently completed his first sci-fi fantasy manuscript and is now diving head-first into the second.
Read More
Cam Milne
Laura-Leigh (Lu) is our Executive Producer - a pocket-rocket with a sharp musical ear, instinctive storytelling flair, and an unshakeable habit of quoting Friends. She has produced audio and music for global brands including Samsung, Disney+, Amazon, PlayStation, Audible, The BBC and The United Nations, and the Molson Coors’ Super Bowl commercial. Her work has been recognised by D&AD, Clios, Ciclope, Shots, The British Arrows, and she is a two-time recipient of the UK’s Audiobook Producer of the Year.
Read More
Laura-Leigh Le Brocque
Annie is Tonic’s Studio & Events Manager, keeping the studio running, the clients happy, and the moving parts firmly in check. With a background spanning production, music-led creative environments, and experience across audio sales, radio, and psychology, she brings both a creative and people-focused approach to the role. Part host, part problem-solver, part behind-the-scenes operator, Annie is always one step ahead - turning busy, chaotic days into something that somehow just works. From sessions to events, she ensures everything runs seamlessly, sounds great, and feels exactly as it should always with strong coffee nearby.
Read More
Annie Freeman
With a background in sound engineering and post-production, and a love for planning, spreadsheets and making things look (and sound) pretty, Luci joined Studio Tonic as an Audio Producer. After studying Audio Production at SAE, Luci built experience across agency, audio and screen production, working on projects for brands, broadcasters and streaming platforms including Netflix, ABC, Stan, SBS, Optus and Nintendo.
Read More
Luci Doling
Head of Finance & Operations, Lina keeps The Studio, the team and the payroll in tune – once affectionately called The Mick Jagger of Accounts for bringing positive energy to even the dullest ledgers. Born in the UK, she spent eight years managing the PR chaos of one of Britain’s leading fashion and interior design houses, juggling 22 shops and Paris‑style salon shows without once breaking a heel. After two years travel, she moved to Australia, where a decade as right hand to the CFO at Silverscreen Productions and five years working for a leading DOP, she learned to keep productions rolling and the numbers firmly in the black.
Read More
Lina Carr-Gomm
Lydia Davies is a two-time Golden Trailer Award–winning Australian composer who creates bold, emotionally charged music for the screen: from Hollywood trailers and global ad campaigns to prime-time TV and streaming documentaries. Based in Melbourne, she’s a classically trained pianist with a deep love for powerful melodies, cinematic textures, and music that connects. Her work has featured in trailers for Wonder Woman, Beauty and the Beast, Killers of the Flower Moon, Assassin’s Creed, Pinocchio, and Maxton Hall, among others. She’s composed for global brands such as Nintendo, Minecraft, Jeep, Toyota, KFC, and L’Oréal. She scored Netflix’s number one documentary MUM and composed the theme for Apple TV’s Major League Baseball coverage.
Read More
Lydia Davies

When Simon isn’t travelling the beaten track across the Himalayas or Death Valley on a motorcycle, Simon’s normal life is an award-winning sound designer, a filmmaker, and visual and sonic storyteller based in Sydney, Australia. His acclaimed work includes sound design and mix for high-impact projects such as the United Nations’ UN75 film, UNICEF’s global brand films and photography library, as well as commercial work for leading brands including Hyundai, Australian Airforce, AAMI, Toyota, Air NZ and SONY.
Read More
Simon Lister
Abby is a sound designer and re-recording mixer with over two decades of shaping stories that aren’t just seen—they’re felt. She first made her mark on the Academy Award-winning sound team for King Kong (2005), and has since worked across projects like Wakefield (Showtime), Austin (ABC/BBC), and Girls Can’t Surf (Tribeca), always focused on capturing the emotional core of the narrative.
After leading as Head of Sound at MassiveMusic across Sydney and Singapore, Abby has become a respected global voice—serving as Jury President for D&AD and contributing to panels for the Clio Awards, London International, and AWARD.
At her core, she’s a sound-first storyteller—thriving in fast-moving, ambiguous briefs and bringing clarity, calm, and craft to every production.
Read More
Abigail Sie
Ramesh is a composer and sonic branding strategist who has spent over two decades making brands sound like themselves — whether that's a two-second audio logo or a full sonic architecture. But before the brands, there were the bands. He started out as an engineer at Rocking Horse Studios in Byron Bay, working with acts like Cruel Sea and Spiderbait, produced Grinspoon's debut EP and Album ‘Alibies and Other Lies’
That musical foundation carried through into his roles as partner at Song Zu and ECD at MassiveMusic, where he helped shaped the sonic identities of Qantas, Etihad Airways, CommBank, Woolworths, Jetstar, Canva, Big W, Optus, the Australian Open, and ADF Careers.
As co-founder of Saliō Sonic Strategy and partner at Studio Tonic, he's now building the kind of creative music house he always wanted to work in — where strategic thinking and musical instinct sit under one roof.
When he's not composing, he's out riding his road and gravel bikes,and spending time with his beautiful young daughter and wife.
Read More
Ramesh Sathiah
With 17 years in the industry, Emma has pretty much done it all… a decade as Head of Production, a Talent Agent wrangling voice artists and on-camera divas (both the delightful and the dramatic), a TV Agency & Film Producer, and now boldly stepping into her next chapter as Chief Executive Producer. Essentially, she’s the Energiser Bunny of production: she doesn’t stop, she doesn’t slow down, and she definitely doesn’t come with an off switch. Em has made a career out of herding industry chaos, shaping wild ideas into shiny, award-winning realities across film, TV, sound, and music.
Read More
Emma Duncan
Jackson is our Sound Designer and Composer - a musically minded tinkerer with an ear for detail and a soft spot for any piece of gear that lights up, hums, or makes a weird noise. He’s worked across a wildly diverse slate of projects, from New Balance and Major League Baseball campaigns, to audio installations shown in the Louvre in Paris. He’s also done ground-level work on albums that have collectively racked up billions of streams. With a “no job too big, no job too small” attitude, Jackson thrives anywhere sound needs shaping.
Read More
Jackson Lister
Cam is our Creative Director and lead Sound Designer. An award-winning sound designer, musician, and writer, Cam has collaborated with leading global brands and agencies, shaping cinematic, emotionally resonant sound across a wide range of media throughout his expansive career.
A dedicated writer, he recently completed his first sci-fi fantasy manuscript and is now diving head-first into the second.
Read More
Cam Milne
Laura-Leigh (Lu) is our Executive Producer - a pocket-rocket with a sharp musical ear, instinctive storytelling flair, and an unshakeable habit of quoting Friends. She has produced audio and music for global brands including Samsung, Disney+, Amazon, PlayStation, Audible, The BBC and The United Nations, and the Molson Coors’ Super Bowl commercial. Her work has been recognised by D&AD, Clios, Ciclope, Shots, The British Arrows, and she is a two-time recipient of the UK’s Audiobook Producer of the Year.
Read More
Laura-Leigh Le Brocque
Annie is Tonic’s Studio & Events Manager, keeping the studio running, the clients happy, and the moving parts firmly in check. With a background spanning production, music-led creative environments, and experience across audio sales, radio, and psychology, she brings both a creative and people-focused approach to the role. Part host, part problem-solver, part behind-the-scenes operator, Annie is always one step ahead - turning busy, chaotic days into something that somehow just works. From sessions to events, she ensures everything runs seamlessly, sounds great, and feels exactly as it should always with strong coffee nearby.
Read More
Annie Freeman
With a background in sound engineering and post-production, and a love for planning, spreadsheets and making things look (and sound) pretty, Luci joined Studio Tonic as an Audio Producer. After studying Audio Production at SAE, Luci built experience across agency, audio and screen production, working on projects for brands, broadcasters and streaming platforms including Netflix, ABC, Stan, SBS, Optus and Nintendo.
Read More
Luci Doling
Head of Finance & Operations, Lina keeps The Studio, the team and the payroll in tune – once affectionately called The Mick Jagger of Accounts for bringing positive energy to even the dullest ledgers. Born in the UK, she spent eight years managing the PR chaos of one of Britain’s leading fashion and interior design houses, juggling 22 shops and Paris‑style salon shows without once breaking a heel. After two years travel, she moved to Australia, where a decade as right hand to the CFO at Silverscreen Productions and five years working for a leading DOP, she learned to keep productions rolling and the numbers firmly in the black.
Read More
Lina Carr-Gomm
Lydia Davies is a two-time Golden Trailer Award–winning Australian composer who creates bold, emotionally charged music for the screen: from Hollywood trailers and global ad campaigns to prime-time TV and streaming documentaries. Based in Melbourne, she’s a classically trained pianist with a deep love for powerful melodies, cinematic textures, and music that connects. Her work has featured in trailers for Wonder Woman, Beauty and the Beast, Killers of the Flower Moon, Assassin’s Creed, Pinocchio, and Maxton Hall, among others. She’s composed for global brands such as Nintendo, Minecraft, Jeep, Toyota, KFC, and L’Oréal. She scored Netflix’s number one documentary MUM and composed the theme for Apple TV’s Major League Baseball coverage.
Read More
Lydia Davies

STUDIO TONIC COMMUNITY